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And the fact that the series included a woman and a person of color was more than a token nod to diversity, as this trio is among the most sought-after of modern composers for film, Phil has rarely programmed, much less celebrated, music for visual media on a subscription concert. Symphony programmers are notorious for ignoring film music unless it’s on a “pops” program or a live-to-picture event, which in recent years have proven extremely lucrative. By inviting Icelandic composer Hildur Guðnadóttir (“Joker”) and Americans Kris Bowers (“Green Book”) and Nicholas Britell (“ Moonlight”) to curate programs of their music, and those of composers that inspired them, the Phil is formally acknowledging the importance of media music as a legitimate part of the contemporary musical scene. The Los Angeles Philharmonic took a major step forward over the weekend with its “Reel Change” series devoted to contemporary film composers. Nicholas Britell, Kris Bowers, Hildur Guðnadóttir Spotlight Film Music at Disney Hall With L.A. For moviegoers who haven’t made it back to theaters just yet, Sure, it’s easy to own a movie or stream it online, but reading the script feels as if it works a whole other muscle. Reading a screenplay can be an exercise in imagination, and an opportunity to see a film through the eyes of the screenwriter - who in some cases doubles as the director and star. Spending more time at home last year resulted in an uptick in book sales, and film screenplays are a unique way for cinephiles to dive deep into their favorite films. OKPicture this: You’re curled up with your favorite book that also happens to be your favorite movie. However, IndieWire may receive a commission on orders placed through its retail links, and the retailer may receive certain auditable data for accounting purposes.
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Dark Night and PrestigeĪll products and services featured by IndieWire are independently selected by IndieWire editors. Christopher Nolan wrote four of the 101 top screenplays - 2000’s Memento, 2008’s The Dark Knight (No. 9 script, Almost Famous, took Academy Award for Adapted Screenplay. All of them won a Screenplay Oscar, but three of the next four on the WGA’s list - There Will Be Blood (No. Eternal Sunshine of the Spotless Mind, The Social Network, Parasite, No Country for Old Men and Moonlight round out the top six. Jordan Peele’s Oscar-winning Get Out tops the WGA’s just-released list of the “101 Greatest Screenplays of the 21st Century ( So Far)”. “Now, you’re in the sunken place.” If you recognize that line, you know the film whose script the Writers Guild of America just voted as the best of the past 22 years. Writers with multiple ranked scripts include Aaron Sorkin, Charlie Kaufman,ġ01 Greatest Screenplays Of The 21st Century: Horror Pic Tops Writers Guild’s List The remainder of the WGA’s top 10 consists of Barry Jenkins’ “ Moonlight,” Paul Thomas Anderson’s “ There Will Be Blood,” Quentin Tarantino’s “ Inglourious Basterds,” Cameron Crowe’s “ Almost Famous,” and Christopher Nolan’s “ Memento.” Anderson has three scripts in the top 101, as does Tarantino.
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Bong Joon Ho’s Oscar-winning “ Parasite” screenplay cracked the WGA’s top five along with Charlie Kaufman’s “ Eternal Sunshine of the Spotless Mind,” Aaron Sorkin’s “ The Social Network,” and the Coen Brothers’ “ No Country for Old Men.” All of these aforementioned films won screenwriting Oscars. The Writers Guild of America (WGA) has published its list of the 101 greatest screenplays of the 21st century, topped by Jordan Peele’s “ Get Out.” Peele won the Academy Award for Best Original Screenplay with the script for his horror movie, which also marked his solo feature directorial debut.